“The assemblages of ephemeral objects, made from discarded cardboard and starch, and selected for their essential roles in the daily life of a Luandan, form an uneven walkway that defines the installation as a passage.”

“The ability of mud to dissolve and be reformed establishes its material circularity.”

“Vaughan-Richards’ drawing office and living room are reinterpreted through the medium of textiles, printed canvas, and indigo-dyed cotton, in part connecting to his wife — prominent socialite Ayo Vaughan-Richards — and her love of fashion.”